The Blockbuster as the Defining Characteristic of Post-Classical Essay

The Blockbuster as the Defining Characteristic of Post-Classical Hollywood - Essay showcaseBordwell (2006) explains that blockbuster is often used not to denote a genre of film per se but to describe the performance of a movie on the market. In simple terms, blockbuster is often associated with hit or good movies that generate a lot of revenue for filmmakers. matchless would then ask whether in the pre-blockbuster era in that respect were no good movies. The answer is no. there were good and hit movies but after movies like Jaws started showing the possibility of amassing so many profits from the box office, the focus of filmmakers now shifted to finding the trick of making huge box offices in each and every movie they do and that started the blockbuster era. So in general terms, the writer agrees that blockbuster came to put forward off as the delimitate characteristic of post-classical Hollywood. However, the writer refuses to agree to the often prejudicial connotation mind ed(p) to blockbuster as the defining characteristic of post-classical Hollywood. In the opinion of the writer, therefore, blockbusters came as a good and positive phenomenon and continue to remain so. One of the first reasons why the writer disagrees with the argument that the blockbuster is a negative defining characteristic of post-classical Hollywood is that blockbuster actually came in to serve a dying situation. This is to say that the trend of the blockbuster was very important in saving the Hollywood film industry from absolute and total collapse. Clearly, bankruptcy was fetching over the film industry and so there was every justification for a process that would salvage the situation. Two clear examples can be given in the cases of Heavens Gate, which was produced in 1980 by Michael Cimino and One from the Heart, which was produced in 1982 by Francis Ford Coppola. Heavens Gate actually made a loss of 40.5million USD after earning $3.5 million in box-office as against a $44 million production cost. One from the heart earned merely $636,000 out of $26 million. The said now that such giant players behind the film industry actually run into bankruptcy since those losses. Without any doubt, the industry would have been seriously abnormal if the pursuit for profit-making through the production of hit films was not followed as what was earned in 1975 with the making of Jaws. On the grounds that blockbuster was necessary to rejuvenating the efforts of filmmakers to seek ship canal of producing films that were good enough to make them stay in the industry is thus a positive rather than a negative phenomenon of the blockbuster as the defining characteristic of post-classical Hollywood. It is even interesting to note that blockbusters do not necessarily have to be of good quality to make profits but there have been newer introductions such as technology backed publicity by the use of social and popular media to ensure that blockbusters sell. The second point th at makes the writer take a stand against the idea that blockbuster is a negative defining characteristic of post-classical Hollywood is that not much has changed in terms of concept.